{"id":21172,"date":"2022-12-14T13:33:06","date_gmt":"2022-12-14T12:33:06","guid":{"rendered":"https:\/\/www.pressroom.cloud\/fashioning-america-grit-to-glamour-la-mostra-che-racconta-la-moda-americana\/"},"modified":"2025-03-26T17:15:03","modified_gmt":"2025-03-26T16:15:03","slug":"fashioning-america-grit-to-glamour-la-mostra-che-racconta-la-moda-americana","status":"publish","type":"post","link":"https:\/\/www.pressroom.cloud\/en\/fashioning-america-grit-to-glamour-la-mostra-che-racconta-la-moda-americana\/","title":{"rendered":"Fashioning America: Grit to Glamour. La mostra che racconta la moda americana"},"content":{"rendered":"<p style=\"text-align: justify;\">Occhi puntati su Bentonville, in Arkansas. Il <a href=\"https:\/\/crystalbridges.org\/\"><strong>Crystal Bridges Museum of American Art<\/strong><\/a> ha inaugurato\u00a0<strong><em>Fashioning America: Grit to Glamour<\/em>,<\/strong> prima mostra a presentare la<strong>\u00a0<a href=\"https:\/\/www.artribune.com\/progettazione\/moda\/2020\/10\/fashion-politica-stati-uniti\/\" target=\"_blank\" rel=\"noopener\">moda<\/a><\/strong> americana attraverso uno sguardo capillare, da Hollywood alle lotte sociali, in un m\u00e9lange tutto USA.<\/p>\n<figure id=\"attachment_845557\" class=\"wp-caption aligncenter\" style=\"text-align: justify;\" aria-describedby=\"caption-attachment-845557\">\n<div id=\"attachment_845557\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-845557\" class=\"wp-image-845557 size-full\" src=\"https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/Jordan-Casteel-Ourlando-2018-oil-on-canvas-90-in.-%C3%97-78-18-in.-%C3%97-1-12-in.-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2019.16.-Photography-by-Edward-C.-Robison-III.jpg\" alt=\"Jordan Casteel, Ourlando, 2018, oil on canvas, 90 in. \u00d7 78 18 in. \u00d7 1 12 in. Crystal Bridges Museum of American Art, Bentonville, Arkansas, 2019.16. Photography by Edward C. Robison III\" width=\"1200\" height=\"1387\" \/><p id=\"caption-attachment-845557\" class=\"wp-caption-text\">Jordan Casteel, Ourlando, 2018, oil on canvas, 90 in. \u00d7 78 18 in. \u00d7 1 12 in. Crystal Bridges Museum of American Art, Bentonville, Arkansas, 2019.16. Photography by Edward C. Robison III<\/p><\/div><figcaption id=\"caption-attachment-845557\" class=\"wp-caption-text\"><\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><strong><span style=\"font-size: 14pt;\">COSA DEFINISCE LO STILE AMERICANO?<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\">L\u2019America \u00e8 da sempre epicentro di contaminazioni, scambi e multietnicit\u00e0. Un Paese variegato, ma diviso internamente da fratture sociopolitiche e culturali. Sul fronte della moda, ci si chiede allora cosa definisca lo stile americano in questo melting pot d\u2019identit\u00e0. La curatrice della mostra, Michelle Tolini Finamore, intende ricercare un punto d\u2019incontro. \u201c<em>Guardare la moda americana con una lente pi\u00f9 inclusiva, ripensare a quale sia il canone, rivoluzionare la narrazione, e chiedersi chi \u00e8 stato lasciato fuori dalla storia<\/em>\u201d \u00e8 la missione di Finamore. Un centinaio di abiti dialogano con le opere di\u00a0<strong>Martine Gutierrez,<\/strong>\u00a0<strong>Robert<\/strong>\u00a0<strong>Henri<\/strong>,\u00a0<strong>Jordan<\/strong>\u00a0<strong>Casteel<\/strong>\u00a0e molti altri, creando un quadro dinamico all\u2019interno di un\u2019istituzione che vuole superare i limiti dei tradizionali musei d\u2019arte e presentarsi come \u201c<em>una piattaforma innovativa<\/em>\u201d, come afferma la presidente del museo Olivia Walton.<\/p>\n<figure id=\"attachment_845561\" class=\"wp-caption aligncenter\" style=\"width: 909px; text-align: justify;\" aria-describedby=\"caption-attachment-845561\">\n<div id=\"attachment_845561\" style=\"width: 919px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-845561\" class=\"wp-image-845561\" src=\"https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/Patrick-Kelly-Day-Dress-with-matching-gloves-FallWinter-1986-1987.jpg\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" srcset=\"https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/Patrick-Kelly-Day-Dress-with-matching-gloves-FallWinter-1986-1987.jpg 551w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/Patrick-Kelly-Day-Dress-with-matching-gloves-FallWinter-1986-1987-480x882.jpg 480w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/Patrick-Kelly-Day-Dress-with-matching-gloves-FallWinter-1986-1987-127x233.jpg 127w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/Patrick-Kelly-Day-Dress-with-matching-gloves-FallWinter-1986-1987-246x452.jpg 246w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/Patrick-Kelly-Day-Dress-with-matching-gloves-FallWinter-1986-1987-228x420.jpg 228w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/Patrick-Kelly-Day-Dress-with-matching-gloves-FallWinter-1986-1987-174x320.jpg 174w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/Patrick-Kelly-Day-Dress-with-matching-gloves-FallWinter-1986-1987-98x180.jpg 98w\" alt=\"Patrick Kelly, &quot;Day Dress with matching gloves,&quot; Fall\/Winter 1986-1987, wool, plastic, and glass. FIDM Museum Collection: Gift of Linda &amp; Steve Plochocki. Loan courtesy of FIDM Museum at the Fashion Institute of Design &amp; Merchandising, Los Angeles\" width=\"909\" height=\"1671\" \/><p id=\"caption-attachment-845561\" class=\"wp-caption-text\">Patrick Kelly, \u201cDay Dress with matching gloves,\u201d Fall\/Winter 1986-1987, wool, plastic, and glass. FIDM Museum Collection: Gift of Linda &amp; Steve Plochocki. Loan courtesy of FIDM Museum at the Fashion Institute of Design &amp; Merchandising, Los Angeles<\/p><\/div><figcaption id=\"caption-attachment-845561\" class=\"wp-caption-text\"><\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>LA MOSTRA SULLA MODA AMERICANA IN ARKANSAS<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">Circa duecento anni di storia della moda raccontati attraverso tematiche proprie della cultura americana. Da\u00a0<em>Grit<\/em>, che comprende i segmenti dedicati a Streetwear, Intimacies &amp; Beachwear e The Rise of Ready-to-Wear, la mostra si srotola in\u00a0<em>Glitz<\/em>\u00a0&amp;\u00a0<em>Glamour<\/em>, esplorando le aree Pop Art, Bridal, Refashioning America e Red Carpet dressing. Si pone l\u2019accento sull\u2019influenza della moda americana nelle tendenze, nel cinema e nella cultura visiva globale. I mitici blue jeans, ad esempio, restano un pilastro dell\u2019abbigliamento americano nell\u2019immaginario collettivo, soprattutto grazie a James Dean e Marlon Brando, primi antieroi hollywoodiani. Per non parlare del tradizionale abbigliamento western di Nudie Cohn, reso iconico dall\u2019abito d\u2019oro\u00a0lam\u00e9 indossato da Elvis Presley sulla copertina dell\u2019album\u00a0<em>50.000.000 Elvis Fans Can\u2019t Be Wrong.<\/em>\u00a0In questa raccolta eterogenea, la proposta del Crystal Bridges spazia dal costume da bagno\u00a0<em>Catalina<\/em>\u00a0indossato da<strong>\u00a0<a href=\"https:\/\/www.artribune.com\/arti-performative\/cinema\/2022\/10\/film-marilyn-monroe-polemiche\/\" target=\"_blank\" rel=\"noopener\">Marylin Monroe<\/a><\/strong>\u00a0alla tutina scintillante\u00a0<em>Cole of California\u00a0<\/em>di Esther Williams nel film\u00a0<em>Million Dollar Mermaid<\/em>, muovendosi tra il perfezionismo di\u00a0<strong>Hattie Carnegie<\/strong>\u00a0e la raffinatezza di\u00a0<strong>James Galanos<\/strong>, fino al luminoso lavoro di\u00a0<strong>Patrick Kelly<\/strong>, che ha fatto delle sue collezioni veri e propri manifesti della lotta alle discriminazioni razziali.<\/p>\n<figure id=\"attachment_845555\" class=\"wp-caption aligncenter\" style=\"width: 926px; text-align: justify;\" aria-describedby=\"caption-attachment-845555\">\n<div id=\"attachment_845555\" style=\"width: 936px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-845555\" class=\"wp-image-845555\" src=\"https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack.jpeg\" sizes=\"auto, (max-width: 1070px) 100vw, 1070px\" srcset=\"https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack.jpeg 1070w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-480x369.jpeg 480w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-1024x788.jpeg 1024w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-768x591.jpeg 768w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-167x128.jpeg 167w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-324x249.jpeg 324w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-696x535.jpeg 696w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-1068x821.jpeg 1068w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-546x420.jpeg 546w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-416x320.jpeg 416w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-234x180.jpeg 234w, https:\/\/www.artribune.com\/wp-content\/uploads\/2022\/12\/FA_Fort_Lonesome_Texas_Jack-600x461.jpeg 600w\" alt=\"Nudie Cohn\u2019s custom chain-stitched \u201cTexas\u201d suit, (2020, silk\/wool, wool thread, rhinestones), from Texas outfitter Fort Lonesome, is part of Crystal Bridges\u2019 \u201cFashioning America: Grit to Glamour.\u201d (Courtesy of Fort Lonesome)\" width=\"926\" height=\"713\" \/><p id=\"caption-attachment-845555\" class=\"wp-caption-text\">Nudie Cohn\u2019s custom chain-stitched \u201cTexas\u201d suit, (2020, silk\/wool, wool thread, rhinestones), from Texas outfitter Fort Lonesome, is part of Crystal Bridges\u2019 \u201cFashioning America: Grit to Glamour.\u201d (Courtesy of Fort Lonesome)<\/p><\/div><figcaption id=\"caption-attachment-845555\" class=\"wp-caption-text\"><\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>DESIGNER IN MOSTRA AL CRYSTAL BRIDGES DI BENTONVILLE<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">Tra i grandi nomi esposti, in collaborazione con CFDA \u2012 organizzazione che promuove gli stilisti americani dal 1962 \u2012, troviamo\u00a0<strong>Anna Sui<\/strong>,\u00a0<strong>Halston<\/strong>,\u00a0<strong>Rudi Gernreich<\/strong>,\u00a0<strong>Isabel Toledo<\/strong>,\u00a0<strong>Jeremy Scott<\/strong>,\u00a0<strong>Christian Siriano<\/strong>\u00a0e\u00a0<a href=\"https:\/\/www.artribune.com\/progettazione\/moda\/2021\/11\/morto-virgil-abloh-lart-director-di-louis-vuitton-aveva-solo-41-anni\/\" target=\"_blank\" rel=\"noopener\"><strong>Virgil Abloh<\/strong><\/a>. Discostandosi dalle canoniche New York e Los Angeles<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-21172 gallery-columns-3 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.pressroom.cloud\/en\/fashioning-america-grit-to-glamour-la-mostra-che-racconta-la-moda-americana\/esther-williams-gold-lame-costume-in-million-dollar-mairmaid-mervyn-leroy-1952-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"624\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Esther-Williams-gold-lame-costume-in-Million-Dollar-Mairmaid-Mervyn-LeRoy-1952.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Esther-Williams-gold-lame-costume-in-Million-Dollar-Mairmaid-Mervyn-LeRoy-1952.jpg 500w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Esther-Williams-gold-lame-costume-in-Million-Dollar-Mairmaid-Mervyn-LeRoy-1952-240x300.jpg 240w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.pressroom.cloud\/en\/fashioning-america-grit-to-glamour-la-mostra-che-racconta-la-moda-americana\/martine-guiterrez-girl-friends-rosella-palma-2014-archival-inkjet-print-mounted-on-foamboard-in-7-parts-9-1%e2%81%842-x-14-18-in-crystal-bridges-museum-of-american-art-bentonville-arkansas-2020-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Martine-Guiterrez-Girl-Friends-Rosella-Palma-2014-archival-inkjet-print-mounted-on-foamboard-in-7-parts-9-1\u20442-x-14-18-in-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2020.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Martine-Guiterrez-Girl-Friends-Rosella-Palma-2014-archival-inkjet-print-mounted-on-foamboard-in-7-parts-9-1\u20442-x-14-18-in-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2020.jpg 1200w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Martine-Guiterrez-Girl-Friends-Rosella-Palma-2014-archival-inkjet-print-mounted-on-foamboard-in-7-parts-9-1\u20442-x-14-18-in-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2020-300x200.jpg 300w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Martine-Guiterrez-Girl-Friends-Rosella-Palma-2014-archival-inkjet-print-mounted-on-foamboard-in-7-parts-9-1\u20442-x-14-18-in-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2020-1024x683.jpg 1024w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Martine-Guiterrez-Girl-Friends-Rosella-Palma-2014-archival-inkjet-print-mounted-on-foamboard-in-7-parts-9-1\u20442-x-14-18-in-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2020-768x512.jpg 768w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Martine-Guiterrez-Girl-Friends-Rosella-Palma-2014-archival-inkjet-print-mounted-on-foamboard-in-7-parts-9-1\u20442-x-14-18-in-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2020-900x600.jpg 900w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.pressroom.cloud\/en\/fashioning-america-grit-to-glamour-la-mostra-che-racconta-la-moda-americana\/anna-sui-western-inspired-ensembles-mens-ensemble-americana-collection-spring-2017-ready-to-wear-photo-by-raoul-gatchalianthomas-lau-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"929\" height=\"1400\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Anna-Sui-Western-inspired-Ensembles-Mens-Ensemble-Americana-Collection-Spring-2017-Ready-to-Wear.-Photo-by-Raoul-GatchalianThomas-Lau.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Anna-Sui-Western-inspired-Ensembles-Mens-Ensemble-Americana-Collection-Spring-2017-Ready-to-Wear.-Photo-by-Raoul-GatchalianThomas-Lau.jpg 929w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Anna-Sui-Western-inspired-Ensembles-Mens-Ensemble-Americana-Collection-Spring-2017-Ready-to-Wear.-Photo-by-Raoul-GatchalianThomas-Lau-199x300.jpg 199w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Anna-Sui-Western-inspired-Ensembles-Mens-Ensemble-Americana-Collection-Spring-2017-Ready-to-Wear.-Photo-by-Raoul-GatchalianThomas-Lau-679x1024.jpg 679w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Anna-Sui-Western-inspired-Ensembles-Mens-Ensemble-Americana-Collection-Spring-2017-Ready-to-Wear.-Photo-by-Raoul-GatchalianThomas-Lau-768x1157.jpg 768w\" sizes=\"auto, (max-width: 929px) 100vw, 929px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.pressroom.cloud\/en\/fashioning-america-grit-to-glamour-la-mostra-che-racconta-la-moda-americana\/robert-henri-jessica-penn-in-black-with-white-plumes-1908-oil-on-canvas-77-x-38-in-crystal-bridges-museum-of-american-art-bentonville-arkansas-2010-105-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"1400\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Robert-Henri-Jessica-Penn-in-Black-with-White-Plumes-1908-oil-on-canvas-77-x-38-in.-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2010.105.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Robert-Henri-Jessica-Penn-in-Black-with-White-Plumes-1908-oil-on-canvas-77-x-38-in.-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2010.105.jpg 692w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Robert-Henri-Jessica-Penn-in-Black-with-White-Plumes-1908-oil-on-canvas-77-x-38-in.-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2010.105-148x300.jpg 148w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Robert-Henri-Jessica-Penn-in-Black-with-White-Plumes-1908-oil-on-canvas-77-x-38-in.-Crystal-Bridges-Museum-of-American-Art-Bentonville-Arkansas-2010.105-506x1024.jpg 506w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.pressroom.cloud\/en\/fashioning-america-grit-to-glamour-la-mostra-che-racconta-la-moda-americana\/lloyd-kiva-new-1916-2002-cherokee-for-kiva-dress-1950s-screen-printed-cotton-photo-courtesy-of-robert-black-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"884\" height=\"1400\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Lloyd-Kiva-New-1916-2002-Cherokee-for-Kiva-dress-1950s-screen-printed-cotton.-Photo-courtesy-of-Robert-Black.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Lloyd-Kiva-New-1916-2002-Cherokee-for-Kiva-dress-1950s-screen-printed-cotton.-Photo-courtesy-of-Robert-Black.jpg 884w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Lloyd-Kiva-New-1916-2002-Cherokee-for-Kiva-dress-1950s-screen-printed-cotton.-Photo-courtesy-of-Robert-Black-189x300.jpg 189w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Lloyd-Kiva-New-1916-2002-Cherokee-for-Kiva-dress-1950s-screen-printed-cotton.-Photo-courtesy-of-Robert-Black-647x1024.jpg 647w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Lloyd-Kiva-New-1916-2002-Cherokee-for-Kiva-dress-1950s-screen-printed-cotton.-Photo-courtesy-of-Robert-Black-768x1216.jpg 768w\" sizes=\"auto, (max-width: 884px) 100vw, 884px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.pressroom.cloud\/en\/fashioning-america-grit-to-glamour-la-mostra-che-racconta-la-moda-americana\/lisa-perry-roy-lichtenstein-no-thank-you-dress-2011-cotton-twill-shift-dress-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"429\" height=\"776\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Lisa-Perry-Roy-Lichtenstein-No-Thank-You-Dress-2011-Cotton-Twill-shift-dress.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Lisa-Perry-Roy-Lichtenstein-No-Thank-You-Dress-2011-Cotton-Twill-shift-dress.jpg 429w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/Lisa-Perry-Roy-Lichtenstein-No-Thank-You-Dress-2011-Cotton-Twill-shift-dress-166x300.jpg 166w\" sizes=\"auto, (max-width: 429px) 100vw, 429px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p style=\"text-align: justify;\">, Finamore seleziona in primis molti designer provenienti dagli stati centrali, proponendo una rimappatura della moda USA e assottigliando le fratture del Paese attraverso il potere dell\u2019arte e della moda di unire e \u201cmostrare la nostra umanit\u00e0 condivisa\u201d. L\u2019altra prerogativa della rassegna \u00e8 mettere in luce e amplificare narrazioni meno conosciute, fashion designer sottorappresentati e poco celebrati. Per esempio,\u00a0<strong>Llyod Henri Kiva New<\/strong>, nato in New Mexico e co-fondatore dell\u2019Institute of American Indian Art, che negli Anni Cinquanta ha collaborato con i pi\u00f9 importanti artisti nativi americani, come Charles Loloma. Un altro nome di spicco \u00e8 quello di\u00a0<strong>Lois K. Alexander-Lane<\/strong>\u00a0dall\u2019Arkansas, fondatrice dell\u2019Harlem Institute of Fashion nel 1966 e del Black Fashion Museum nel 1979. Trovano il loro spazio anche\u00a0<strong>Kerrie Aaron<\/strong>, con il suo brand etico e handmade Klothed:31,\u00a0<strong>Oliver Michael<\/strong>\u00a0<strong>Fitzpatrick Jr.\u00a0<\/strong>con Ndeed Regime e LIVSTREETWEAR di\u00a0<strong>Olivia Anthony<\/strong>.<br \/>\nUn debutto ambizioso, questo, per il Crystal Bridges, che abbraccia il settore moda da un punto di vista inedito, riuscendo ad amalgamare le voci, distanti ma coesistenti, dello spirito americano in una mostra tutta da scoprire.<\/p>\n<p><em>Aurora Mandelli<\/em><\/p>\n<p>Da <a href=\"https:\/\/www.artribune.com\/progettazione\/moda\/2022\/12\/mostra-fashioning-america-arkansas\/\"><strong>Artribune<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Occhi puntati su Bentonville, in Arkansas. Il Crystal Bridges Museum of American Art ha inaugurato\u00a0Fashioning America: Grit to Glamour, prima mostra a presentare la\u00a0moda americana attraverso uno sguardo capillare, da Hollywood alle lotte sociali, in un m\u00e9lange tutto USA. COSA DEFINISCE LO STILE AMERICANO? L\u2019America&#8230;<\/p>\n","protected":false},"author":3,"featured_media":19910,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4366,4367],"tags":[4858,4388,4859],"class_list":["post-21172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-en","category-lifestyle-en","tag-arkansas-en","tag-moda-en","tag-moda-americana-en"],"_links":{"self":[{"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/posts\/21172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/comments?post=21172"}],"version-history":[{"count":1,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/posts\/21172\/revisions"}],"predecessor-version":[{"id":21973,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/posts\/21172\/revisions\/21973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/media\/19910"}],"wp:attachment":[{"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/media?parent=21172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/categories?post=21172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/tags?post=21172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}