{"id":9674,"date":"2022-08-20T13:55:06","date_gmt":"2022-08-20T12:55:06","guid":{"rendered":"https:\/\/www.pressroom.cloud\/?p=9674"},"modified":"2025-03-26T17:16:12","modified_gmt":"2025-03-26T16:16:12","slug":"picasso-scultore-lincredibile-mostra-a-parigi","status":"publish","type":"post","link":"https:\/\/www.pressroom.cloud\/en\/picasso-scultore-lincredibile-mostra-a-parigi\/","title":{"rendered":"Picasso scultore. L&#8217;incredibile mostra a Parigi"},"content":{"rendered":"<p style=\"text-align: justify;\">Pi\u00f9 di 70 sculture di\u00a0<a href=\"https:\/\/www.artribune.com\/arti-visive\/arte-moderna\/2021\/02\/rethinking-guernica-picasso-sito-web\/\" target=\"_blank\" rel=\"noopener\"><strong>Pablo Picasso<\/strong><\/a>, accompagnate da 35 disegni e dipinti, saranno riunite per la prima volta in una galleria parigina. Si tratta della\u00a0<a href=\"https:\/\/www.galerie-institut.com\/\"><strong>Galerie de l\u2019Institut di Parigi<\/strong><\/a>\u00a0che presenta la mostra-evento\u00a0<em>Picasso \/ Sculture 1905-1962<\/em>\u00a0sulla scultura del maestro catalano, in programma\u00a0<strong>dal 14 ottobre al 17 dicembre 2022<\/strong>\u00a0nelle due sedi di rue de Seine e rue des Beaux-Arts, riunendo alcune delle pi\u00f9 importanti pietre miliari dell\u2019opera tridimensionale dell\u2019artista.\u00a0L\u2019opera scultorea di Picasso \u00e8 estremamente ricca e comprende pi\u00f9 di 650 sculture eseguite tra il 1902 e i primi Anni Sessanta, con periodi pi\u00f9 intensi di altri, come quello corrispondente alla fine degli Anni Quaranta, nell\u2019atelier Fournas di Vallauris.<\/p>\n<div id=\"attachment_9679\" style=\"width: 913px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9679\" class=\" wp-image-9679\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/5-300x169.png\" alt=\"\" width=\"903\" height=\"509\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/5-300x169.png 300w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/5-1024x577.png 1024w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/5-768x433.png 768w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/5-1536x865.png 1536w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/5-1320x744.png 1320w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/5.png 1640w\" sizes=\"auto, (max-width: 903px) 100vw, 903px\" \/><p id=\"caption-attachment-9679\" class=\"wp-caption-text\">The Spanish, Cannes 1960 1961, single sheet folded, painted on bothsides \/ The Owl, 1953, molded and painted clay, 34 x 26 x 37 cm. \u00a9 Succession Picasso 2022<\/p><\/div>\n<p style=\"text-align: justify;\">Nella sua pratica c\u2019\u00e8 un dialogo costante con la pittura, infatti nella scultura si concentra sugli stessi soggetti che dipinge: figure, ritratti di parenti, animali reali o mitologici, nature morte. La mostra parigina \u00e8 divisa in due temi principali,\u00a0<em>figura<\/em>\u00a0e il\u00a0<em>bestiario<\/em>, con opere eccezionali, come la prima scultura cubista del corpus dell\u2019artista, una\u00a0<em>Testa di donna<\/em>\u00a0(<em>Fernande<\/em>) ispirata al dipinto omonimo, che decostruisce il volume sfaccettato in tre dimensioni.<\/p>\n<div id=\"attachment_9675\" style=\"width: 944px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9675\" class=\" wp-image-9675\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/1-10-300x169.png\" alt=\"\" width=\"934\" height=\"526\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/1-10-300x169.png 300w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/1-10-1024x577.png 1024w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/1-10-768x433.png 768w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/1-10-1536x865.png 1536w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/1-10-1320x744.png 1320w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/1-10.png 1640w\" sizes=\"auto, (max-width: 934px) 100vw, 934px\" \/><p id=\"caption-attachment-9675\" class=\"wp-caption-text\">Picasso et Carl Nesjar \u00e0 La Californie Cannes, c. 1957 \u00a9 Coll. Jacqueline Picasso ADAGP, Paris 2022 succession Picasso 2022<\/p><\/div>\n<p style=\"text-align: justify;\">Oltre a due magistrali teste in lamiera tagliata, piegata e dipinta del 1961: un autoritratto e un ritratto di\u00a0<strong>Jacqueline Picasso<\/strong>, che evoca la coppia, e che \u2013 esposte raramente \u2013 costituiscono un prestito eccezionale. Ecco le immagini\u2026<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-9674 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.pressroom.cloud\/en\/2-13-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/2-9-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/2-9-150x150.png 150w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/2-9-550x550.png 550w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.pressroom.cloud\/en\/3-5-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/3-1-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/3-1-150x150.png 150w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/3-1-550x550.png 550w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.pressroom.cloud\/en\/4-3-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/4-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.pressroom.cloud\/wp-content\/uploads\/4-150x150.png 150w, https:\/\/www.pressroom.cloud\/wp-content\/uploads\/4-550x550.png 550w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p style=\"text-align: justify;\"><em>Claudia Giraud<\/em><\/p>\n<p style=\"text-align: justify;\">Da <a href=\"https:\/\/www.artribune.com\/arti-visive\/2022\/08\/picasso-scultore-prima-mostra-galleria-parigi\/?utm_source=Newsletter%20Artribune&amp;utm_campaign=7d55a9c48b-&amp;utm_medium=email&amp;utm_term=0_dc515150dd-7d55a9c48b-154127905&amp;ct=t%28%29&amp;goal=0_dc515150dd-7d55a9c48b-154127905\"><strong>Artribune<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pi\u00f9 di 70 sculture di\u00a0Pablo Picasso, accompagnate da 35 disegni e dipinti, saranno riunite per la prima volta in una galleria parigina. Si tratta della\u00a0Galerie de l\u2019Institut di Parigi\u00a0che presenta la mostra-evento\u00a0Picasso \/ Sculture 1905-1962\u00a0sulla scultura del maestro catalano, in programma\u00a0dal 14 ottobre al 17&#8230;<\/p>\n","protected":false},"author":3,"featured_media":9680,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[67,69],"tags":[1690,1689,1358,745,540],"class_list":["post-9674","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cultura","tag-galerie-de-linstitut","tag-pablo-picasso","tag-parigi","tag-picasso","tag-scultura"],"_links":{"self":[{"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/posts\/9674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/comments?post=9674"}],"version-history":[{"count":1,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/posts\/9674\/revisions"}],"predecessor-version":[{"id":22168,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/posts\/9674\/revisions\/22168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/media\/9680"}],"wp:attachment":[{"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/media?parent=9674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/categories?post=9674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pressroom.cloud\/en\/wp-json\/wp\/v2\/tags?post=9674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}